The way is now cleared for a serviceable definition of language. Language is a purely human and non-instinctive method of communicating ideas, emotions, and desires by means of a system of voluntarily produced symbols. These symbols are, in the first instance, auditory and they are produced by the so-called “organs of speech.” There is no discernible instinctive basis in human speech as such, however much instinctive expressions and the natural environment may serve as a stimulus for the development of certain elements of speech, however much instinctive tendencies, motor and other, may give a predetermined range or mold to linguistic expression. Such human or animal communication, if “communication” it may be called, as is brought about by involuntary, instinctive cries is not, in our sense, language at all.

The artist’s reputation was now fully established. In 1509, he was made a member of the Council that governed the city and he was granted the important commission of painting two pictures for the relic chamber in Nuremberg. In this room, which was in a citizen’s house, the crown jewels were kept on Easter night, the time of their annual exhibition to the public. Sigismund and Charlemagne were the subjects selected, the former probably because it was he who first gave to Nuremberg the custody of the precious jewels, and the latter because Charlemagne was a favorite hero with the Germans. The Charlemagne is here reproduced. In wonderful jeweled coronation robes, with the coat of arms of France on one side and that of Germany on the other, he is a fine figure well suited to make us feel Durer’s power as a painter.

The artist’s reputation was now fully established. In 1509, he was made a member of the Council that governed the city and he was granted the important commission of painting two pictures for the relic chamber in Nuremberg. In this room, which was in a citizen’s house, the crown jewels were kept on Easter night, the time of their annual exhibition to the public. Sigismund and Charlemagne were the subjects selected, the former probably because it was he who first gave to Nuremberg the custody of the precious jewels, and the latter because Charlemagne was a favorite hero with the Germans. The Charlemagne is here reproduced. In wonderful jeweled coronation robes, with the coat of arms of France on one side and that of Germany on the other, he is a fine figure well suited to make us feel Durer’s power as a painter.

The artist’s reputation was now fully established. In 1509, he was made a member of the Council that governed the city and he was granted the important commission of painting two pictures for the relic chamber in Nuremberg. In this room, which was in a citizen’s house, the crown jewels were kept on Easter night, the time of their annual exhibition to the public. Sigismund and Charlemagne were the subjects selected, the former probably because it was he who first gave to Nuremberg the custody of the precious jewels, and the latter because Charlemagne was a favorite hero with the Germans. The Charlemagne is here reproduced. In wonderful jeweled coronation robes, with the coat of arms of France on one side and that of Germany on the other, he is a fine figure well suited to make us feel Durer’s power as a painter.